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By Mario Bussagli

With 397 illustrations in colour. The airborne dirt and dust jacket is expense clipped and has chips and closed tears to the extremities.

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Unquestionably, there was a substantial decrease in the already scarce demographic density, so that the microlithic culture (characterized by stone products of diminutive proportions) must have been introduced by a series of migrations passing through Baluchistan from unknown areas. These migrations are supposed to have repopulated the Indian territory and introduced the Mesolithic phase. It is a fact that the Indian microliths, analogous to and perhaps contemporaneous with the European ones, bear a particular resemblance to the Syrian and African products of the same kind, whereas they differ greatly from the so-called sand microliths to be found from Chinese Sinkiang in Central Asia to Manchuria and the borders of the Gobi.

National Museum, Karachi The seal representing the big humped bull with crescent horns and thick, heavy dewlap (b) is one of the most striking artistic creations of the Indus Valley civilization. The other, bearing an imaginary animal with a single horn (a), is probably a symbolic figure associated with particular rites. Note the suggestion of a saddlecloth. The two objects under the animal's muzzle are also related to some unknown rite, perhaps connected with purification and water. Maybe they provided the exact meaning of the symbolic composition.

The eyes are superimposed disks. 50 49. Seal with a 'unicorn' and ritual objects (a). Another with a humped bull and pictographic writing (b). C. National Museum, Karachi The seal representing the big humped bull with crescent horns and thick, heavy dewlap (b) is one of the most striking artistic creations of the Indus Valley civilization. The other, bearing an imaginary animal with a single horn (a), is probably a symbolic figure associated with particular rites. Note the suggestion of a saddlecloth.

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5000 Years of the Art of India by Mario Bussagli


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