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ISBN-10: 0820347876

ISBN-13: 9780820347875

A feeling of Regard, says Laura McCullough, “is an attempt to gather the voices of dwelling poets and students in considerate and thought of exfoliation of the present confluence of poetry and race, the problems, the nuances, the unexamined, the scary, the questions, and the quarrels throughout aesthetic camps and biases.”

The individuals talk about concerns as a variety of as their very own assorted racial and ethnic backgrounds. Their essays, which diversity widespread from the private and lyrical to the severe, are prepared into 4 wide groupings: Americanism, the adventure of unsilencing and crossing borders, interrogating whiteness, and language itself. To learn them is to pay attention in because the individuals converse what they understand, notice what they don't, and within the procedure frequently locate anything new in themselves and their subject. As a reader you're invited, says McCullough, “to be moved from one experience of regard to a different: to be provoked and to linger in that country. . . . to question, quarrel, and consider.”

A feel of Regard grew out of a contemporary accumulating of the organization of Writers and Writing courses (AWP), the place a poet’s reviews at the paintings of one other sparked impassioned and contentious conversations in individual, in print, and on-line. although race is usually considered an age-old subject in poetry, McCullough observed sincerely that there's nonetheless a lot to debate, learn, and tease aside. relocating the dialog past the specificity of these preliminary AWP encounters, with their quite often black/white specialise in race, those essays offer a context and a secure beginning for a few urgently wanted discussions we too hardly have.

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Extra info for A Sense of Regard: Essays on Poetry and Race

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Eliot, one of my favorite poets, but of ethnic studies: Listen to this white father; he is so weird! Here he is calling aloud for an American, a democratic spirit. An American, a democratic idea that could morally constrain and coordinate the material body of USA affluence and piratical outreach. . I too am a descendant of Walt Whitman. And I am not by myself struggling to tell the truth about this history of so much land and so much blood, of so much that should be sacred and so much that has been desecrated and annihilated boastfully.

Reinventing the Enemy’s Language: Contemporary Native Women’s Writing of North America. New York: W. W. Norton, 1997. Henderson, Desirée. ” Walt Whitman Quarterly Review 25 (Winter 2008): 89–106. Long Soldier, Layli. ” Talking Stick 13, no. 2 (April–June 2010). html. ———. ” Women’s Quarterly Conversation, March 6, 2013. com/2013/03/06/profiles‑in‑poetics‑layli‑long‑soldier/. Whitman, Walt. Leaves of Grass. 1895. org/ebooks/1322. Walt and I 4 • walt and i What’s American about American Poetry? k e n ch e n I.

And it would ignore the transnationally porous nature of American writers—the Transcendentalists cribbing from Hindu and Buddhist dialectic, the modernist project of parodying classical Chinese verse, and maybe our central contempo‑ rary poet, John Ashbery, who often reads to me as a Gallicized and privatized, rather than expansively “American,” Whitman. , “American poetry is democratic”) could only be nondemocratic. The author evinces skepticism at the folk understanding of nation whether defined via bloodline or citizenship or whatever and imbibes booze.

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